caliban

caliban

美 [ˈkæləˌbæn] 　英 [ˈkælibæn]

• n.(莎士比亚戏剧《暴风雨》中的)半兽半人怪物
• 网络卡利班；凯列班；卡力班

英汉解释

n.	1. (莎士比亚戏剧《暴风雨》中的)半兽半人怪物 2. 〈比喻〉丑恶残忍的人

例句

His punishments of Caliban are petty and vindictive, as he calls upon his spirits to pinch Caliban when he curses.

他的丑陋处罚是琐碎的和有报仇心的，如同当他诅咒的时候，他在他的精神之后呼叫掐丑陋一样。

The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.

十九世纪对浪漫主义的憎恶，犹如从镜子里照不见自己面孔的凯列班的狂怒。

The image of Caliban provided by Prodpero is his own invention and we cannot define him in this way.

普洛斯彼罗提供的凯列班的形象也仅仅是他自己的发明，我们不能以此来界定他。

Which character the audience decides to believe depends on whether it views Caliban as inherently brutish, or as made brutish by oppression.

听众决定相信哪一个性仰赖无论它看丑陋如固有畜生般或依照藉着压抑制造畜生般。

In his first speech to Prospero, Caliban insists that Prospero stole the island from him.

在他的第一演说普洛斯彼罗中，丑陋坚持普洛斯彼罗偷了来自他的岛。

is the rage of Caliban not seeing his own face in a glass.

正如卡列班在镜中看不见自身的狂怒。

the rage of Caliban seeing his own face in a glass.

正如卡列班在镜中看见自身时的狂怒。

Alden T. Vaughan and Virginia Mason Brown, Shakespeare's Caliban: A Cultural history (Cambridge: Cambridge University Press, 1990).

奥尔登•T•沃恩和佛吉尼亚梅森布朗，莎士比亚中的的卡利班：《文化历史》，剑桥：剑桥大学出版社，1990。

Caliban elects to remain in servitude. What ideal of "freedom" lies behind this contrast.

而凯列班则选择继续为奴，这个对比所要阐述的「自由」是什麽？

Both Caliban and Ferdinand profess an interest in untying Miranda's "virgin knot. "

丑陋和费迪南声称对不绑米兰达的兴趣“处女结。”

Caliban = Buffalo spirit. Skins + Berkoffian performance. On all fours. Poor actor!

卡利班=不法罗魔法。皮肤+疯狂的表演--全部四章。可怜的演员。

How does Caliban compare with Montaigne's Cannibals?

凯列班和蒙田笔下的食人族相比又如何？

Merlin of Arthurian legend and Shakepseare's Caliban are two famous cambions.

亚瑟王传说中的梅林和莎士比亚笔下的卡利班就是两个著名的扮人妖。

Caliban repeats the mistakes he claims to curse.

丑陋重复错误他宣称诅咒。

Exalted beyond this, as it sometimes is, it remains Caliban still and still plays the beast.

超越这点，那么有时它遗留只是卡利班或是魔鬼。

Is Caliban evil or just innocent?

凯列班究竟是无恶不做还是天真无邪？

On the other hand, Caliban's desire for sovereignty of the island mirrors the lust for power that led Antonio to overthrow Prospero.

另一方面，丑陋对岛的主权渴求为领导安东尼奥的力量反映贪欲打倒普洛斯彼罗。

From then on, master-servant relationships like these dominate the play: Prospero and Caliban;

从然后在，之上主人-仆人像这些的关系支配游戏：普洛斯彼罗和丑陋；

Man and Monster: New Critiques on the Image of Monster Caliban

人与兽：怪物凯列班形象新论