ozu

ozu

美 　英

• 网络小津；小津安郎的电影美学；小津安二郎的电影美学

例句

When Richie's Ozu was published, two years later, critics came to realize that this quiet filmmaker was one of cinema's finest artists.

两年后当Richie的《小津》出版时，评论家们意识到这个“平静”的电影人其实是个杰出的电影艺术家。

In Ozu's Good Morning, a family dispute is occasioned by the children's demand that their parents acquire a television.

在小津的《早安》中，家庭纠纷起于孩子们要求父母购买电视一事；

Boy is also discreetly fixed in the context of Japan's recent history, in a way which again may be read as a response to Ozu.

《少年》也被谨慎地限定在日本近代历史的情境之中，这一做法又一次可被解读为是对小津的回应。

Yet Oshima's film can also be interpreted as a reinterpretation of and a riposte to Ozu.

然而大岛渚的影片也可以被解读为是对小津的重新诠释和回击。

it carries to a limit Ozu's faith that everyday life, rendered tellingly, provides more than enough drama to engage us deeply.

但它承载着一个小津电影的基本因素：将日常生活缓缓地铺叙呈现，进而带给我们更多剧情不能催生的体验。

Ozu himself hinted at a reservation: "This is one of my most melodramatic pictures. "

小津自己给出了一个保留性的暗示：“这个是我最具有情节性的电影之一。”

In Ozu's Late Spring she wanted to remain a daughter, did not want to become a wife.

在小津的《晚春》中，原节子想继续作女儿，而不愿成为妻子。

Without the pessimism of Ozu and Keisuke , Yamada's "Tora-san" comes from a contented and happy family.

相对于小津的无常无奈、木下的感伤与焦虑，山田的「寅次郎」一家是幸福、快乐的。

Thousand Years was very much influenced by a Japanese director called [Yasujiro] Ozu.

《千年善祷》很受日本导演小津安二郎的影响。

In dialogue scenes Ozu refuses to cut away from a speaking character;

对话场景中小津拒绝在人物说话时进行剪辑；